{"id":1293,"date":"2020-12-19T10:33:46","date_gmt":"2020-12-19T10:33:46","guid":{"rendered":"http:\/\/www.rayzhekova.com\/?p=1293"},"modified":"2026-02-04T07:03:53","modified_gmt":"2026-02-04T07:03:53","slug":"eastern-european-music-industries-and-policies-after-the-fall-of-communism-routledge-com","status":"publish","type":"post","link":"https:\/\/www.rayzhekova.com\/?p=1293","title":{"rendered":"\u0418\u0437\u0442\u043e\u0447\u043d\u043e-\u0415\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u0438 \u041c\u0443\u0437\u0438\u043a\u0430\u043b\u043d\u0438 \u0418\u043d\u0434\u0443\u0441\u0442\u0440\u0438\u0438 \u0438 \u041f\u043e\u043b\u0438\u0442\u0438\u043a\u0438 \u0441\u043b\u0435\u0434 \u041f\u0430\u0434\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u041a\u043e\u043c\u0443\u043d\u0438\u0437\u043c\u0430. \u041e\u0442 \u0414\u044a\u0440\u0436\u0430\u0432\u0435\u043d \u041a\u043e\u043d\u0442\u0440\u043e\u043b \u0434\u043e \u0421\u0432\u043e\u0431\u043e\u0434\u0435\u043d \u041f\u0430\u0437\u0430\u0440 (Routledge.com)"},"content":{"rendered":"\n

Eastern European Music Industries and Policies after the Fall of Communism <\/h2>\n\n\n\n

From State Control to Free Market<\/em><\/h2>\n\n\n\n

Book Description<\/p>\n\n\n\n

Eastern Europe during the last thirty years has been a place of radical political, economic, and social transformation, and these changes have affected the cultural industries of various countries.<\/p>\n\n\n\n

Thirteen chapters by a selection of leading international researchers document the stories of various organisations that once dominated the \u2018communist music industries\u2019, such as state-owned record companies, music festivals, and collecting societies. The strategies employed by artists and industries to join international music markets after the fall of communism are explained and evaluated. Political and economic transformations coincided with the advent of digitalisation and the Internet, which intensified the changes. All these issues posed challenges both to record labels and artists who, after adjusting to the rules of the free-market economy, were faced with the falling sales of records caused by the advent of new communication technologies.<\/p>\n\n\n\n

This book examines how these processes have affected the music industries, scenes, and markets in various Eastern European countries<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

Table of Contents<\/h2>\n\n\n\n

Part I: Introduction<\/p>\n\n\n\n

1. Contextualising research on Eastern European music and music industries<\/p>\n\n\n\n

Patryk Galuszka<\/p>\n\n\n\n

2. Creating a market economy in Eastern Europe: Economic reform as the central theme of the transition<\/p>\n\n\n\n

Tomasz Legiedz<\/p>\n\n\n\n

Part II: Russia<\/p>\n\n\n\n

3. Piracy as an institutionalised social practice in Soviet and post-Soviet Russia<\/p>\n\n\n\n

Marco Biasioli<\/p>\n\n\n\n

4. \u2018We have no music industry!\u2019 Exploring the context of post-Soviet music making through the lens of contemporary Swedo-Russian collaborations<\/p>\n\n\n\n

Ingrid M Tolstad<\/p>\n\n\n\n

Part III: Central Europe<\/p>\n\n\n\n

5. Socialist riches to capitalist rags: The disintegration of the GDR music industry during German reunification<\/p>\n\n\n\n

Sven Kube<\/p>\n\n\n\n

6. Collective management of copyright during communism and transition \u2013 a case study of the society of authors ZAiKS<\/p>\n\n\n\n

Anna Pluszy\u0144ska<\/p>\n\n\n\n

7. The National Festival of Polish Song in Opole: The transformation of legal, economic, and political circumstances over fifty years of the Polish music industry<\/p>\n\n\n\n

Katarzyna Korzeniewska\u3000<\/p>\n\n\n\n

8. Pohoda: the importance of Slovakia\u2019s greatest festival<\/p>\n\n\n\n

Peter Barrer\u3000<\/p>\n\n\n\n

9. Managing the Eastern European position in the digital era: music industry showcase events and popular music export in Hungary<\/p>\n\n\n\n

Em\u00edlia Barna<\/p>\n\n\n\n

Part IV: Southeast Europe<\/p>\n\n\n\n

10. The Romanian music scene: The social economy of pop music in the post-socialist period<\/p>\n\n\n\n

Elena Trifan<\/p>\n\n\n\n

11. COME VISIT (OUR PAST) AGAIN: How municipalities encourage retro rock culture on the Bulgarian music scene<\/p>\n\n\n\n

Gergana Rayzhekova<\/p>\n\n\n\n

12. The Yugoslav and post Yugoslav alternative rock canon presented in the music press<\/p>\n\n\n\n

Julijana Papazova<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Source: https:\/\/www.routledge.com\/Eastern-European-Music-Industries-and-Policies-after-the-Fall-of-Communism\/Galuszka\/p\/book\/9780367222390?fbclid=IwAR1LxqpzBupanT_JNx6Gg4BLHd_mk8Jt54VXbYAEOTjkQzIFipj2Bj_1qnQ<\/a><\/p>\n\n\n\n

\u0418\u0437\u0442\u043e\u0447\u043d\u0438\u043a 2<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Eastern European Music Industries and Policies after the Fall of Communism From State Control to Free Market Book Description Eastern Europe during the last thirty years [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":1306,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,4],"tags":[48,44,43,41,42,47,46,45,40],"class_list":["post-1293","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-7","category-4","tag-bg-alternative-rock","tag-bg-rock","tag-bulgarian-science","tag-gergana","tag-rayzhekova","tag-rayzhekova-alternative","tag-rayzhekova-routledge","tag-rock-rayzhekova","tag-routledge"],"_links":{"self":[{"href":"https:\/\/www.rayzhekova.com\/index.php?rest_route=\/wp\/v2\/posts\/1293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rayzhekova.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rayzhekova.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rayzhekova.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rayzhekova.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1293"}],"version-history":[{"count":4,"href":"https:\/\/www.rayzhekova.com\/index.php?rest_route=\/wp\/v2\/posts\/1293\/revisions"}],"predecessor-version":[{"id":2038,"href":"https:\/\/www.rayzhekova.com\/index.php?rest_route=\/wp\/v2\/posts\/1293\/revisions\/2038"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rayzhekova.com\/index.php?rest_route=\/wp\/v2\/media\/1306"}],"wp:attachment":[{"href":"https:\/\/www.rayzhekova.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rayzhekova.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rayzhekova.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}